Showing posts with label Greg Gifune. Show all posts
Showing posts with label Greg Gifune. Show all posts

Thursday, November 17, 2011

WITA #3: Greg F. Gifune


Resuming the series of reprints of interviews I did for Cemetery Dance, today we reprint an interview with author Greg F. Gifune which originally appeared on Cemetery Dance' website on July 7, 2010. As always, these reprints appear courtesy of Cemetery Dance, and the reader should remember the interview is over a year old, so if the subject says "coming soon", the book is probably already out there. So, fire up the old Wayback Machine...

The author we’re pulling away from work this time is Greg F. Gifune. A Massachusetts native, Greg is the highly-regarded author of such works as The Bleeding Season and Children of Chaos. His most recent book from Cemetery Dance is Catching Hell.

WITA -Your new release from Cemetery Dance is Catching Hell. Tell us a little about it.

Greg Gifune - It’s set in 1983, and is about three young actors and a stagehand from a summer stock theater who take off from Cape Cod to visit a resort in Maine as a kind of last hooray before they either go on to college or move to New York City to chase their dreams. On the way, they encounter a bizarre storm and wind up in a peculiar town that seems to be stuck in the 1940s. But the town is anything but the quaint and harmless little hamlet it appears to be at first glance, and once they become trapped there they realize the locals are harboring some horrible secrets and that they’ll have to fight their way out to survive the night, or risk falling prey to a cycle of depravity and violence at the hands of a demonic creature so horrifying few will even speak its name.

WITA -Compared to many of your peers, you are quite prolific (Your website shows 14 books written by you). How do you manage to be as productive as you are without sacrificing quality?

GG - Do nothing but work and have virtually no life? No, seriously, it may appear that I’m a bit more prolific than I really am, as I’ve been writing professionally now for more than a decade full-time, so when you spread my list of published novels out over a 10 or 11 year timeframe it’s probably not quite as impressive. And also, usually (not always but usually) my novels sit in my head literally for years before I write them, so by the time I’m putting them to paper I have a solid grasp of what I’m doing with it and what I want. Still, I have managed to produce a good amount of work, you’re right. Much of that has been because I’ve been in demand from the publishers I’ve worked with so I’m very grateful to them and the fans for that. I’ve learned how to juggle projects and to do the things required of a professional novelist these days, and to do them in a manner where quality is not sacrificed. I also work very hard at what I do and strive for that quality. The harder I work, the more it pays off.

WITA -Now that you’ve been writing for a while, how has your style changed over time? Does the process come easier to you now?

GG - Although it took time to find my voice and develop my style, because I wrote for years before I ever wrote a novel, I was able to have both established by the time I did. Since then I think my style has remained the same, more or less, but it has evolved, and continues to (hopefully for the better). The only thing is that I’ve had to speed my process up a bit, which is not entirely natural for me, but it’s a shift I’ve learned to live with because it’s a necessary.

WITA -Everyone wonders what the chef eats when he’s away from his restaurant, so what do you read for entertainment? Who are some of the writers who have had an influence on your work?

GG - Unfortunately I don’t have the time to read for pleasure like I used to, but when I do have the time I tend to mix it up between fiction and nonfiction. I have very eclectic tastes when it comes to just about everything, so it’s a wide range in both. I read The New Yorker too, have for years, and I enjoy that. As for writers who have influenced me, there have been many, but I rarely list them because I always forget some. Here’s a few: Virginia Woolf, Jim Thompson, Tennessee Williams.

WITA -Writing can be lonely work, and sometimes it takes a while to receive positive reinforcement for what you do. What made you decide on writing as a career?

GG - Very true, writing is very isolating at times and can be very lonely, and it’s also (at times) a very brutal business. I never really decided on it though, it decided for me. I’ve always known what I wanted to do, always wanted to be a writer and an actor, and from the time I was a little kid, I mean, I don’t ever remember not knowing what I wanted to do. I studied, worked in and pursued both for years. Sounds corny but it’s true, it’s who I am. The literal decision came in my early 30s, when I decided if I didn’t commit and really go after a career as a writer, I never would. So I did and fortunately it paid off.

WITA -What should we be looking for in the near future from Greg Gifune?

GG - More novels coming later this year and next, and recently I’ve had quite a bit of interest from Hollywood (and some indi filmmakers as well) regarding several novels of mine, so we’ll see what happens there. My website is probably the best way to stay on top of things: www.gregfgifune.com.
.

Tuesday, March 23, 2010

Pod of Horror # 59

The latest episode of the best podcast in the horror biz can be accessed at the Pod of Horror portion of the Horror World website. Just click on the link, if you're too lazy to look at the sidebar. This episode features Greg Gifune, Ron Malfi, and as always the adorable Nanci Kalanta and the well, not that adorable, but still excellent Jason L. Keene. I'd also like to point out as a child I rode bus # 56, and the current episode is that same number. If you turn the 6 upside down to make a 9. This is too weird to be a coincidence.
.

Tuesday, December 22, 2009

Children of Chaos


I’ve heard a lot of good things about Greg Gifune’s writing for some time, but I am only now getting around to checking his work out. To be honest, I had wondered if some of the praise was undeserved hype, since Gifune’s other job is as an associate editor at Delirium Books, and in the incestuous little world of our genre, there is a tendency to pump up people who might be in a position to help a reviewer land a later sale. Judging by my first Gifune book, Children of Chaos, he is well worth the praise he has received.

In the late 1970s, three teenage boys returning home from a carnival come across a strangely scarred man, with the word “Chaos” tattooed on his back, camping in the woods. With fresh news of the murder of a young girl on their minds, they attack the man, killing him with a sword found in his bag, and disposing of his body. The guilt they feel is intensified when they learn the dead girl was killed by her father instead.

Adulthood doesn’t work out well for the trio. Jamie fulfilled his ambition to become a priest, but was defrocked after having sex with a minor. Philip became a writer, but by his 40s is without a publisher, divorced, and well on his way to alcoholism. Martin wanted to be an actor, but after years of wandering, became the leader of a strange cult in the Mexican desert.

Martin’s seriously ill mother wants to bring him on before she dies, and hires Martin to go after him. Despite his reluctance, Martin needs the money, and is soon on a strange and frightening journey toward the fate that was sealed for the three friends the day they killed the scarred man. Will he find redemption or damnation at the end of his quest?

As Gifune discusses in his afterward, the parallels in the story with Joseph Conrad’s classic Heart of Darkness are pretty overt, and I was also put in mind of John Carpenter’s underrated film In The Mouth of Madness, but that may just be me. I don’t want to get all freshman English major on you, but Children of Chaos does echo many of heart of Darkness’ themes, most particularly duality, as explored in the conversations between Philip and Martin on the basic good or evil of mankind.

I found Children of Chaos to be a compelling work, one which managed to combine a fast-moving plot with genre-compatible chills and action with thoughtful ruminations on the nature of mankind. If, like me, you are late to Mr. Gifune’s books, Children of Chaos would be a good starting point. Highly recommended.
.