Showing posts with label Chet Williamson. Show all posts
Showing posts with label Chet Williamson. Show all posts

Monday, December 21, 2009

The Story of Noichi the Blind


Chet Williamson’s short novella The Story of Noichi the Blind has an interesting fictional back story. It is presented as a Japanese folk tale, purchased in Japan by Williamson’s son, and written a century before by noted folklorist Lafcadio Hearn or one of his disciples. This is detailed in Williamson’s introduction, although the idea is discounted in the afterward by Hearn expert Dr. Alan Drew. Of course, Drew doesn’t exist, but it does add an amusing note to the story.

The story itself is written in the style of Hearn, and concerns a simple woodcutter named Noichi, who lives alone in the remote forest. Noichi is kind to all of the animals, who have in turn befriended him. One day Noichi happens upon Noriku, a servant at a brothel who has killed a samurai (by bizarre accident) and fled for her life. Noichi takes her in, and eventually marries her, and they are happy together.

The happiness ends when Noriku sickens and dies. The animals of the forest, when are so distressed to see their friend in pain, take action to make Noichi believe Noriku is still alive by inhabiting her body. The, er, interaction between Noichi and the late Noriku causes the corpse to give birth to a Tengu, a type of demon which wreaks havoc on the creatures of the forest.

The story is more interesting in concept than in execution. The "documentation" surrounding the authenticity of the story is better done than the story itself, which seems to try too hard to shock, with depictions of necrophilia and bestiality among other things. Ultimately, something of a letdown, although I imagine someone who is more of a fan of Japanese folk tales than I am might be more pleased with it.
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Wednesday, January 28, 2009

Razored Saddles


Razored Saddles was one of the seminal anthologies of the 80s (first published in 1989) and one of the few I missed on the first go-around, so I was understandably stoked when I finally obtained a rather expensive copy of the original hardback. I was also excited that the anthology was edited by a favorite author, Joe R. Lansdale (with Pat LoBrutto). And finally, there was the subject matter.

When I was a kid and comic books were the center of my reading universe, one of my favorites was a book called Weird Western Tales. This was a blend of horror material and the western genre, with cowboys fighting ghosts, zombies, and the like. The best known continuing feature in this vein was Jonah Hex, about a hideously disfigured gunfighter (Lansdale himself wrote two great story arcs for Jonah Hex in the late 90s). Razored Saddles was ostensibly in this milieu, so I had looked forward to it. Lansdale hisownself referred to it as the first “cowpunk” anthology.

All anthologies are somewhat up and down, with a variety of different authors with differing takes on the theme, and I was prepared for this to hold true here, but I expected it to be generally good, with great writers like Lansdale, Lewis Shiner, Howard Waldrop, and others. The book started off well, with a Robert McCammon story, “Black Boots” about a gunman fleeing an unkillable foe. But the pleasant vibe dissolved in a haze of New Wave SF blandness. The majority of the stories ignored the weird western idea in favor of flat uncompelling narratives. It did pick up near the end, with “Yore Skin’s Jes’s Soft ‘n Purty” by Chet Williamson, but most of the stories were a major letdown. Lansdale himself has written a number of outstanding western/horror hybrids, so if that's what you're looking for, I'd suggest seeking one of his collections. To me, Razored Saddles was a missed opportunity.